A law enacted after a brazen scheme to rig onion prices in the 1950s puts the vegetable, as well as box office receipts, off-limits for prediction markets.
In the city’s “apartment horror” films, one of the world’s least affordable housing markets is a backdrop for exploring superstition and socioeconomic anxiety.
“Clayface” was No. 1 at the box office, but “You Can See Everything,” a documentary about the disgraced Theranos founder, surged in its second weekend.
The streaming service reported a 12 percent increase in quarterly revenue, but acknowledged that stagnant viewership, particularly in the U.S. and Canada, was a major concern.
Jeremy Strong in “The Social Reckoning,” Jesse Eisenberg in “The Social Network” and the real Meta executive are all playing parts. But only one has changed his approach.
100 Zeros, a collaboration between Google and Range Media Partners, aims to give the tech giant a foothold in movies, TV and emerging forms of entertainment.
Jonathan Zepp, left, Google’s head of entertainment content and platforms, and Peter Micelli, chief executive of Range Media Partners, at Google offices in Los Angeles.
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