If you got a DM from an unverified Jon Bon Jovi account after commenting on one of his official Instagram posts, what would it take to make you believe it was really the rock star hoping to connect? And at what point when he starts asking you to send money—like lose-your-house kind of money—would you snap out of the fantasy and stop draining your bank account?

In a documentary premiering Saturday—Super Scam Me—investigative journalist Mariana van Zeller goes deep into this toxic love-bombing terrain. In a clip that Ars is exclusively debuting below, you can see how van Zeller worked with an ethical hacker, Arman the Cyber, to use a fake bitcoin receipt and bait the fake Bon Jovi, giving the victim some much-needed closure.

Scamming a romance scammer

Broadcasting on National Geographic at 9 pm ET and available to stream on Disney+ and Hulu, the documentary takes viewers on an empathetic quest to understand how the line between “lover” and “fraud victim” gets blurred in romance scams that the Federal Trade Commission says cost Americans nearly $1.5 billion in losses each year.

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Marking the 30th anniversary of KDE on October 14, the project released Plasma 6.8, debuted a movie, and retired Plasma's native X11 session support. The announcement from KDE dubs the new Plasma 6.8 as the "30th Anniversary Edition" and describes the update as preparing Plasma for the future. Legacy X11 applications will still function via the XWayland compatibility layer, and KDE applications will also continue supporting X11 under other desktop environments.

After 42 years in service, the X11 protocol is losing another major desktop environment. Plasma will fully adopt the Wayland system and put support for starting new X11 sessions in Plasma to bed. Users opting to stay on Plasma 6.7 will keep their existing sessions for now. The move was expected, with GNOME officially dropping X11 sessions by default in 2025.

The new Plasma 6.8 brings many improvements, including increased support for adding window decorations (like shadows and rounded corners) to third-party apps, and a more streamlined Union theming system. Other notable additions include Nvidia triple buffering being enabled by default, Kup backup integration (KDE's backup utility—now integrated into Plasma), and kscreenctl, a command-line utility that allows power users to adjust display configurations.

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Elon Musk is a very familiar figure to Ars readers, given his massive influence (for better and worse) on the technology sector over the last 20 years. Oscar-winning director Alex Gibney's latest biographical documentary—simply titled Musk—covers a lot of well-known ground and challenges the carefully crafted public image of Musk as a visionary tech titan.

Gibney's documentary presents Musk as more of a Gilded Age confidence man, rejiggered for the 21st century: an investor cosplaying as an inventor whose real genius is pumping stocks and dazzling investors and the public alike with visions of a high-tech utopian future. The film is bound to push all the right outrage buttons, whether one is a Musk fan or a detractor—which makes it very much a product of the peculiar social media-driven era in which we live.

Gibney has been making documentaries since the 1980s, covering such varied subjects as Jimi Hendrix, Hunter S. Thompson and gonzo journalism, WikiLeaks, Scientology, Steve Jobs, Elizabeth Holmes (the subject of another forthcoming documentary, You Can See Everything, featuring comedian Nathan Fielder), Boris Becker, The Sopranos creator David Chase, alleged Russian interference in the US 2016 presidential election, the opioid epidemic, and cyclist Lance Armstrong. He snagged his first Oscar nomination for 2005’s Enron: The Smartest Guys in the Room, and won the Oscar for Best Documentary Feature two years later for Taxi to the Dark Side.

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