In 2015, biomedical entrepreneur Elizabeth Holmes was Silicon Valley's golden girl, lauded as the youngest and richest self-made female billionaire thanks to the company she founded, Theranos, which was valued at $9 billion at the height of its success. Then it all came crashing down when accusations of fraud surfaced about the company's signature blood-testing device, culminating in a sensational trial. Holmes was convicted on four counts and sentenced to 11 years in prison.

Holmes is back in the headlines thanks to a new film, You Can See Everything, which depicts the final days before Holmes, having exhausted her appeals, went to prison. Co-directed by Nathan Fielder and Lance Oppenheim, it's a surreal, absurdist piece that has largely been received with gushing enthusiasm and no small amount of hype, with some declaring it the best film of the year. A few contrarian voices have emerged over the past week with much-needed reality checks, but there's no denying the film is destined to be an awards-season darling.

Pardon me for joining the buzzkills, but I cannot in good conscience jump on the You Can See Everything bandwagon. Sure, it has its moments, and the second half is highly entertaining, but there's nothing here to warrant all the breathless hyperbole. For all their much-touted access, Oppenheim and Fielder have produced a surprisingly shallow film that runs in circles, yielding very little fresh or novel insight—into Holmes, personally, or much else.

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Peacock series Crystal Lake doesn’t feel like a Friday the 13th movie when you first press play, even though it’s set up to be a prequel to the original film. (This review includes spoilers of the original Friday the 13th movie but avoids major Crystal Lake spoilers.)

Instead, Crystal Lake strives to build a drama that’s half homage, half uncharted territory, while giving a long-awaited backstory to Pamela Voorhees. The original villain in the first film, Pam Voorhees, shocked audiences in 1980 by popping up out of nowhere in the midst of a brutal camp counselor killing spree, then confronting the final girl with a Norman Bates-like delivery of the movie’s chilling tagline, “Kill her, mommy,” using the voice of her drowned son, Jason.

Although the hockey-masked killer, Jason Voorhees, became the horror icon at the center of the franchise, his mom, Pam, continued to fascinate fans, who knew very little about her. Beheaded in the first film after just 13 minutes onscreen, her spirit would occasionally appear in later films, but the original actor, Betsy Palmer, who portrayed Pam refused to return, largely because the character has no depth.

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